Wednesday, August 22, 2007

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Theatre Section

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Presentation


Michael Gentile is undoubtedly one of the best guitarists of the moment. His game
picking the twelve strings guitar and very original and suggests sounds very rich.
His influences are varied, one might say from Ireland to India via Parthenay.
At the concert he gave at Niort in the Moulin du Roc in June 2005, Michel has asked the association to make Pikodon Pictures uptake.
Eventually it turned into a DVD that contains the full concert, a live autobiography, a media review, discography and especially a mini twelve-string guitar method in which Michael reveals his technique and is shared. A little bonus
gives us pleasure to see John Renbourn, Peter Finger, Pierre Bensusan and Michael Gentile on the terrace of the coffee room at the Moulin du Roc, Niort is on the west coast.
contact: michelgentils.com

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SHORT EXCERPTS



To put a little water at the mouth ...
A preview of the talent and style of Michael.
The Complete Concert is a must-see and hear.
The DVD is to order from michelgentils.com

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LE GRAND BLUFF (1st part)

A trainee in general, it makes you good service ... Especially when the "famous" trainee is full of good will and curiosity.
So ... she arrives at her employer, open weekends (and not just any weekend, of course ...) to present "the project of the century."
In general, yes, an intern here makes many services ...
But on arrival, as soon as it happens, nothing that happens should happen ... and everything happens ... that should not happen ... It happened
!





DOUBLE JE (2nd part)

An apartment, a couple ...

Mr. came home late from work as usual.

Dinner was uneventful, calmly, without a word, as usual.

Madame is deep in crosswords, Mr. in his diary, as usual.

Another day average French, where it nothing happens ... or very little.

Until the phone rings ... Nothing extraordinary, at first ... except ... the couple does not subscribe to the phone!
And this is not the only surprise of the evening!

Monday, August 13, 2007

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BLUES PROJECT: THE CONCERTS FOR A SHOW AND CONFERENCE


The history of blues is inseparable from its African roots, the history of slavery and the slave trade. The cultural mix
indeed begins on the boats which are crammed into the hold, in appalling conditions, many African ethnic groups have neither the same language, nor the same social codes, or the same rituals.
It will take those first generations of slaves, torn from their homeland, learn to live together, understand, share what remains of a continent.
Later, with successive generations born on American soil, an African American nation will gradually find its own identity. A nation with a new culture of eating and ancestral memories of all the influences residing on American soil.
example, that over time, through the cultural upheavals constant stirring songs of ancestral Africa shouts, work-songs, spirituals, folk Irish hill-billy, Indian music and many others, will rise to the Blues.

Using various audio documents, photographs, text translations, period films from the archives Rick Prelinger, BLUES PROJECT offers to share his passion for the blues.
This passion is not only a presentation of documents, adorned with comments ...
Indeed, we are first and foremost, a trio of musicians and we play on stage compositions and covers of blues that we have the most marked, for illustrative purposes of the moment.
directory during these musical interventions, is a showcase for the blues Mississippi Delta.
Different themes start from SLAVERY to the gates of CHICAGO BLUES, which marks the COT by its overwhelming ubiquity, the lives of bluesmen ... The record industry that contributed to the outbreak of the genre initially reserved for the black community, then to a broader white audience through the "ENGLISH REVIVAL" and rock'n roll.
HISTORY OF INSTRUMENTS, the most emblematic is the harmonica, guitar, traveling across continents ...
Culture and history, permanently entangled with each other, mark over the different time course changes of the blues, through the human drama of a people comes to racism, segregation and hatred ...

For information, concerts, conferences, educational project:

CONTACTS

Patrick JOUANNEAU
tel: 06 86 02 23 51
email: @ pat.age neuf.fr