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disabled children - Bensheim Welcome! Twinning

Twinning. Beaune was preparing for a long time, "alles Gute zum Geburtstag!

The magnificent float depicting the coat of arms designed by the children Bensheim social centers.

The weekend sounded like an ode to joy and friendship between France and Germany. It has further tightened the links established 50 years ago between Beaune and Bensheim.

"Gutentag, Gutentag, sagen alle Kinder ... . It is through this nice little song of school children that the German delegation was received Friday afternoon at school Remparts, while another took place at the host school of White Flowers. The German delegation then went to visit the exhibitions held at the Wine Museum and the Museum Gaspard Monge-on match. The weekend was launched at 18 h 30 carries Mary of Burgundy by opening night, when the audience joined in many flags around French, German and European.
Saturday, passersby could see the float designed by the children's social center Bretonnière and EMI. Achieved since September as part of entertainment district, it was the emblem of Bensheim: Saint-Georges slaying the dragon and a shield decorated with the emblem of the town of Beaune. A fine work of wood and paper mache headed by socio-cultural and Eric Mattauer Marc Ory. The draw for the winner of the competition of the Union of Beaune traders took place at the finish of the tank Place des Halles. This is Marie-Colette Rygiel, 58, Savigny-les-Beaune. The protocol was signed at a special evening at the theater, during which the former mayor of Beaune, Henry Monk, made a highly acclaimed intervention. Was acclaimed as the interpretation of the European anthem by students of the School of Music Beaune.


Source: Journal of the "public good", edition Beaune, May 24, 2010.

What Does A Pain In The Belly Button Mean

Year Chopin

Chopin And then, that has he so special? I say from the outset a sense of melody out of the ordinary, coupled with a sound unmistakable, that of a genuine feeling without sentimentality. It's not bad! Music lovers often prefer Liszt, more romantic when romance and who will have in his longest life experienced extreme musical languages, literary, evocative and intellectuals, mystics finally, in a quest for meaning that took precedence over the quest for formal or who supported it in further. No matter: I love Chopin, which I think argues that he devotes one short year from time to time.

In His work, however, I dispense fully explored. Listening to his songs did not give me the urge for a second visit. It is however nuggets in Ballades, Nocturnes ... And in all this, the cycle of Preludes occupies a special place. I am often asked if it was given to each of the assessment or if the pianists do not develop an attendance necessarily biased. Is that heterogeneity, atmosphere and accessibility, time also makes the cycle a set strangely incongruous, rather dowdy. This diversity allows the amateur pianist to return, to find always an interesting play to study, a difficulty at the appropriate time to such training. Practice makes them indispensable. To me who have not touched a keyboard since my twenties, two or three of these pieces come back to me likely easily in the fingers. I will try one day.

Thus Prelude No. 4 that I even found in the collections of partitions of my great-grandmother when it finally opened the house, above the old piano and a wooden frame work by decades of moisture between the Lancers Quadrille a waltz and popular among the bourgeoisie Rural Third Republic. This prelude is also a nicely readable sequence towards the film Five Easy Pieces : its simplicity, ease of execution, as opposed to feeling aroused deep listening, better reflects a speech clashes and internal conflicts the characters. In this cycle, other pieces pass yet for the most challenging ...

This is not the case Prelude No. 15, which I might come back the same way. But if you know it! He earned a nickname: "the drop", "water" or "rain" more or less echoed in later editions. The nickname comes from George Sand herself, witnessed the composition of the piece and in a letter that compared the endless iteration of the famous A-flat the fall of a drop. I seem to remember Alfred Cortot cited the anecdote in which he proposed the annotated edition of the Preludes and on which I deciphered. I appreciated very much his analysis, expressed in a language obsolete and tasty. I have no piano, no partitions or comments Cortot in front to check the accuracy of what I say. It does not matter, especially since this subtitle imposes silly its concrete image to music that is not descriptive.

A little music so descriptive that it would hear the water constantly, which make the best tea. I often amuse myself of what a particular tea does not remind me, when all the recalls on the contrary, abstraction. I drink tea I'm not looking to start associations that will allow me to analyze the wealth. I hear such music, I think such a film, that character, or understand such a feeling: it sends me to tea. Everything here contributes. It shudders in the kettle and the Prelude No. 3, stocks are at the correct temperature by their exact size at No. 5. The tea brews the time of No. 7, while evocative and promises to drip out of the teapot features the rhythm of No. 10. Perfumes explode in No. 12 and the cup to feel: the place to the roundness, the balance of flavors of No. 17, supported by dark chords of No. 20 which will shape the whole. With the explosion of the final and No. 24 in the length tea finally recorded his own notes, his notes ultimate

a re.

What Kind Of Business Is Lia Sophia?

- Workers with disabilities take charge of the vineyard of Valenciennes.

The new occupants of the vineyard of the wine tasted Valenciennes Watteau 2008.

IN THE NEWS

For over a month since the discrete vineyard Valenciennes, delivered to the state Ageval is now supported by AOSIS, assisting in the professional integration of disabled workers. A formal transfer signed last Tuesday. Workshops are now Watteau
succession to keep the wine heritage.

BY KARINE MEZIERE
valenciennes@lavoixdunord.fr

REPRO PHOTO VOICE

Do you know that the vines are part of the heritage of Valenciennes? This vineyard, located near the farm Malplaquet, spread over a hectare of land, down to the lake of Trith. Several thousand vines of Pinot Noir and Chardonnay are planted. Since 1998, the company re Ageval who undertook to refurbish the vineyard through aid from the European Social Fund. "The vine is a tool. It allows a service to people in precarious, that helps to integrate into the workforce, "says Patrick Roussiès, president of the Ageval. But today, the subsidies were removed and cultivate a vineyard has a cost. Therefore, AOSIS (Association of Parents of handicapped children) responded to the appeal launched by Ageval transfer. Thus, the association is very close in terms of helping to integrate disabled people, has positioned itself as the buyer of the vineyard while enhancing the skills of workers with disabilities. "We are very proud to acquire this vineyard. With this operation, white wine production will continue. We'll also be able to expand the activities of the Workshops Watteau, "says George Maillot, president of the IEPA. Thus, a score of disabled workers will be trained in business for viticulture and fruit growing. Professionals in this world of grapes may be taken during the workshops Watteau, including Eric the Broise, Master Chai at Louis Max (Burgundy) and Alain Girotti, winemaker at Chateau Charreau (Bordeaux). "We continue the adventure wine as it was transmitted to us," said Fabian Hernandez, Director of the IEPA of Valenciennes. And for the vintage Watteau continues, the process of sponsoring Ageval by vines will be perpetuated. "Only their gifts, grants will carry out the operation of the vineyard," said Fabian Hernandez. A symbol, since sponsors can taste the different wines. •

Workshops Watteau help inserting

Now, the vintage Watteau, a white wine not sold, will be manufactured by workers disabilities, supported by AOSIS and Valenciennes including
Workshops Watteau. To carry out the field, 9 000 vines (4000 Chardonnay and 5000 Pinot Black), Watteau these workshops offer a solution to all persons over 16 years with an intellectual disability, including disability does not allow them to integrate into working life. Therefore, a score of them may be offered a social life and adapted with a specialized supervision. "Our goal is to take initiatives to those persons with disabilities," said Fabian Hernandez, director of the IEPA Workshops Watteau.

Maintaining the vineyard

Thus, activities in professional and appropriate to the level of skills and production of each will be offered. "They will have to have a real effect on the cleanliness of the banks and on site maintenance of the vineyard," said Fabian Hernandez. Very specific tasks to continue the development of heritage wine in Valenciennes. "For this we will ensure that in the next Heritage Days in September, workers with disabilities speak about their activities in the vineyard and greet visitors," he says. A strategic moment which will act during the harvest. "You have to think about economic reality of things.
The disabled need as much work as anyone. With an annual production of 4000 bottles, over the vineyard is ready.

Source: Newspaper "La Voix du Nord" Thursday, 13.05.2010. KM